Campus
- Downtown Toronto (St. George)
Areas of Interest
- Modern and contemporary Italian literature
- Literature and the visual arts (XVIth and XXth century)
- Word and Image studies
- Writers’ archives
- Translation theory and practice
Biography
Eloisa Morra’s research explores interdisciplinary issues at the crossroads of textual and visual studies throughout modernity, with a focus authors’ archives, issues of appropriation of the past, gender and genre. She is the author of 3 books, 12 edited volumes and around 40 articles and book chapters in English and Italian. Morra’s first book (Un allegro fischiettare nelle tenebre, Quodlibet 2014, Edinburgh Gadda Prize 2015) is a study of Toti Scialoja’s works with a special focus on his ‘double gift’ as a painter and poet. As a complement to this project, Eloisa edited a collection on Scialoja’s interart experiments (Landscapes of Words. Carocci, 2019) and an interdisciplinary encyclopedia (Scialoja A-Z, Electa 2023). Her second book, Poetics of visibility (Carocci, 2023) addresses the ramifications of intermediality in the works of a number of modern authors (Gadda, Celati, Anedda, and others). Her most recent book (La lente di Gadda, Electa 2024) investigates the iconography and intermedial reception of Italy’s most notable Modernist author, Carlo Emilio Gadda.
Her interest in author’s archives is visible in her work as coordinator of Sciascia Archive Project and in the edited books Building the canon through the classics (Brill, 2019) and Prisma Celati (Mimesis, 2023). Her research on women writers, the main subject of one of her graduate courses, led to numerous publications; at the moment, she is preparing the reissue of feminist theorist Armanda Guiducci’s oeuvre for nottetempo. Along her career, Eloisa has worked to reach a wider public readership, developing research exhibitions and publications that aim to connect academic and non-specialist audiences. She is a regular contributor to Il Sole 24 ore, while her curatorial projects include Calvino Cantafavole (Palazzo Ducale, Genoa 2023, with L. Scarlini), Pino Pascali Toti Scialoja. Confluenze (Kursaal Santalucia, Bari, 2024, with F. Boragina), Bestiario sentimentale (Biblioteca Teresiana, 2024, with F. Scotti), In Africa it is another story (Pusey Library, Harvard University). Morra teaches a variety of courses in modern Italian literature (19th- 21st century) and visual culture.
BOOK REVIEWS
Allegoria, Intersezioni, Italianistica, Italica, Forum Italicum.
Education
Awards
- 2021 Individual Grant Gladys G. Krieble Delmas Foundation
- 2020 Visiting Fellowship Institute of Modern Language Research
- 2020 Centro V.Branca Residential Fellowship Fondazione Giorgio Cini
- 2019 Institute of Modern Language Research Visiting fellowship
- 2018 Civitella Ranieri Affiliated Fellowship Centre for Italian Modern Art
- 2018 Centre for Italian Modern Art- Civitella Ranieri fellowship
- 2016 Certificate of Distinction in Teaching Derek Bok Center, Harvard University
- 2016 GSAS Dissertation Completion Fellowship Harvard University
- 2015 Special mention, Edinburgh Gadda Prize 2015 (for the monograph Ritratto di Toti Scialoja, Quodlibet: 2014)
- 2012 Full scholarship Scuola Normale Superiore
Publications
- Pino Pascali Toti Scialoja. Confluenze (Electa : 2024)
- La lente di Gadda (Electa : 2024)
- Calvino cantafavole (Electa : 2023)
- Scialoja A-Z (Electa 2024 : 2023)
- Poetiche della visibilità. Percorsi tra testo e immagine nella letteratura italiana del 900 (Carocci : 2023)
- Figure dell'artista/ Figures of the Artist (Università Degli Studi Di Bergamo : 2021)
- Tradition and translation in Proust’s reception in Italy: Croce, Gobetti, Debenedetti, in Annali d’Italianistica. ( : 2020)
- La vita delle immagini. Sguardo e percezione in Anna Maria Ortese, in La grande Iguana. Scenari e visioni a vent’anni dalla morte di Anna Maria Ortese, edited by A. Bubba, Aracne: Rome, 81-89. ( : 2020)
- Building the Canon through the Classics. Imitation and variation in Renaissance Italy (1350-1580), Brill: Leiden. ( : 2019)
- Anna Maria Ortese’s palette. Colors and achromaticity in Neapolitan Chronicles (Forum Italicum, 2019/3 : 2019)
- Paesaggi di parole. Toti Scialoja e i linguaggi dell’arte ( : 2019)
- Dalla musica alla Nekuia. Appunti su Debenedetti traduttore di Proust, Ermeneutica letteraria, special issue on G. Debenedetti, edited by A. Borghesi, 2017/1 ( : 2017)
- La cupola di madreperla. Gadda, Scialoja e una tessera iconografica per il Pasticciaccio. (Lettere Italiane, 2016/2. : 2016)
- Un allegro fischiettare nelle tenebre. Ritratto di Toti Scialoja, Quodlibet: Macerata Winner of Special Mention at the Edinburgh Gadda Prize- Harvard Edition, 2015 ( : 2014)
- Un allegro fischiettare nelle tenebre. Ritratto di Toti Scialoja (Quodlibet: Macerata : 2014)
- Building the Canon through the Classics. Imitation and variation in Renaissance Italy (1350-1580) (Brill: Boston-Leiden)